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The Fetus in My Jewelry Box

This poem was originally published in 2022 in Making Waves: A West Michigan Review.

Occasionally, I think about the fetus in my jewelry box,

often when I fill my belly with sin-

ful treats while getting stoned in the half bath

of the apartment I share with an unwed man.

I call him Stanley (the fetus, not my boyfriend)

after the secular cut-out paper child I delivered

to cross-country loved ones in elementary

school, theologized and rubberized

for God’s eyes in high school.

 

The summer before I left home, he endured

as a squatter in my sock drawer, a soon-to-be table

topic I’d bring with me on my last first date, semester abroad

in Rome, an assortment of apartments, a strange relic

of my past and conceivably future bodies

I was too afraid to forget.

These days, I hide away his featureless form between fish

hooks, studs, and crawlers, beady chokers from college

when I was allowed collarbones, shoulders, and Sundays

to myself, embarrassed to have kept him all these years just in case

God was watching.

 

Sometimes I forget he is

there, rediscover him while searching

for Twilight dangles, wring Fetus Stanley from his bed of jewels

and squeeze him like a stress ball until I remember

his latex siblings in boxes in my teacher’s garage.

A great deal, she said while delegating their imagined lives

to us unworldly almost-women, prizes

for stomaching a semester of birthing

videos and Biblical reckonings on our reproductive parts,

packaged nicely in gift bags, lying

on laminated prayer cards, rosaries

borne with the holiest of intentions

around their necks.

© Riley O'Connell 2025

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